Bullz-Eye.com’s Jason Zingale likes this Superman reboot:

The best thing about “Man of Steel,” however, is the action. The fight scenes are lightning fast and brutal, really playing up the superhuman angle of the Kryptonians in a way that’s never been done before. Though there are only a handful of action sequences in the movie, all but one of them is outstanding, especially the fight between Superman and two of Zod’s soldiers in the streets of Smallville, which, despite some disgustingly blatant product placement, delivers everything that you’d expect from a modern day Superman film. The big finale is a little too generic and blockbustery for its own good, but by that point, “Man of Steel” had already won me over. It’s not quite as groundbreaking as what Nolan achieved with “Batman Begins,” but considering Warner’s recent track record with DC Comics characters, it’s a massive and incredibly enjoyable step in the right direction.

Not all critics love it but you can review all of them on Rotten Tomatoes.

Here’s the new “Man of Steel” trailer, and it looks pretty good.

Daniel D. Snyder takes stock of the current state of superhero movies in the wake of the release of The Dark Knight Rises” and discusses what’s next.

When The Dark Knight Rises leaves theaters (probably sometime after the sun has gone out), it will mark the end of arguably the most commercially and critically successful comic-book movie franchise of all time. Save for Marvel’s loosely connected Avengers films, no series will have grossed more money at the box office, been subjected to more acute critical analysis, or garnered such devotion from both genre aficionados and outsiders.

This is all great for comic-book movies, which have now proven themselves not only to be a source of revenue but of genuine artistic worth. But what happens now? Has the genre peaked? In the wake of The Dark Knight Rises, it’s time to look at the future of comic book movies and see where they might go from here:

The DC/Warner Bros. partnership is screwed

Warner Brothers, which owns DC Comics, is in no danger of folding, but their stake in the comic-book movie market is about to shrink dramatically. Looking at the somewhat surprising success of Columbia Pictures’ Spider-Man’s “unnecessary” reboot ($500 million so far worldwide) a mere five years after its last installment, it may be tempting for Warner Bros. to get Batman back in theaters as fast as possible. But The Amazing Spider-Man had the benefit of following the commercially successful but critically reviled Spider-Man 3 (it wasn’t exactly like most fans felt director Sam Raimi’s legacy would be spoiled by the reboot). Considering the success and inevitable enshrinement of the Dark Knight trilogy, Warner Bros. would be wise to put as much distance as they can between Christopher Nolan’s final Batman film and the Caped Crusader’s next adventure.

Warner Bros. execs’ best hope for the future is next year’s Superman reboot, Man of Steel, but they’ll be relying on an iconic brand to overcome the deficiencies of its director, Zack Snyder, whose stock took a major hit in 2011 after the misogynistic boyhood fantasy flick Sucker Punch.

Check out the whole article for the rest of his take.